¹Ù·Î°¡±â ¸Þ´º
¸ÞÀθ޴º ¹Ù·Î°¡±â
º»¹® ¹Ù·Î°¡±â
NewsRoom Exclusive

Ú¸ ¡¶·Ñ¸µ½ºÅæ¡· À§´ëÇÑ ÆË¼Û 500 °î ¨õ 1~5À§¡¤³¡

[ä¹QÀÇ ¡®ºñ¹ä¹Ù ·ê¶ó¡¯] 1À§´Â ¹ä µô·± ¡®Like a Rolling Stone¡¯

±Û ±èÅ¿Ϡ ¿ù°£Á¶¼± ±âÀÚ kimchi@chosun.com

  • Æ®À§ÅÍ
  • ÆäÀ̽ººÏ
  • ±â»ç¸ñ·Ï
  • ÇÁ¸°Æ®Çϱâ
  • ±ÛÀÚ Å©°Ô
  • ±ÛÀÚ ÀÛ°Ô
º»¹®À̹ÌÁö
1. Like a Rolling Stone, Bob Dylan

¹Ì±¹ À½¾ÇÀâÁö ¡¶·Ñ¸µ½ºÅæ¡·ÀÌ Áö³­ 2004³â ¾ß½ÉÂù °á°ú¹°À» ³»³õ¾Ò´Ù. The 500 Greatest Songs of All Time. Çؼ®ÇÏÀÚ¸é ¡®¿ª»ç»ó °¡Àå À§´ëÇÑ 500°î¡¯.
º»¹®À̹ÌÁö
¹Ì±¹ À½¾ÇÀâÁö ¡¶·Ñ¸µ½ºÅæ¡·°¡ Áö³­ 2004³â Æì³½ [The 500 Greatest Songs of All Time]

1³â ÀüÀÎ 2003³â ³»³õÀº ¡®The 500 Greatest Albums of All Time¡¯ÀÇ ÈļÓÀÛÀ̾ú´Ù.
ÀÌ ¸®½ºÆ®¸¦ µÎ°í ¸¹Àº ÆË ÆÒµéÀÌ È¯È£ÇßÀ½Àº ¹°·ÐÀÌ´Ù. °î ¼±Á¤Àº 172¸íÀÇ À½¾Ç°¡¿Í Æò·Ð°¡, À½¾Ç»ê¾÷ Á¾»çÀÚµéÀÇ ÅõÇ¥·Î °áÁ¤Çß´Ù°í ÇÑ´Ù.
5À§ºÎÅÍ 1À§±îÁö¸¦ ¼Ò°³ÇÑ´Ù.
 
---------------------------
 
1. Like a Rolling Stone, Bob Dylan (1965³â º½, ¿µÈ­ 'Dont Look Back'¿¡ ±â·ÏµÈ ¿µ±¹ Åõ¾î¸¦ ¸¶Ä¡°í µ¹¾Æ¿Â µô·±Àº Àڽſ¡ ´ëÇÑ ´ëÁßÀÇ ±â´ë¿Í °æ·ÂÀÇ ¹æÇ⼺¿¡ ºÒ¸¸À» Ç°°í À½¾ÇÀ» ±×¸¸µÑ Áö¸¦ ÁøÁöÇÏ°Ô °í·ÁÇß´Ù.
1966³â ¡¶Playboy¡· ÀÎÅͺ信¼­ ÀÚ½ÅÀÇ ºÒ¸¸À» ÀÌ·¸°Ô Ç¥ÇöÇß´Ù.

¡°Áö³­ º½, ³ë·¡¸¦ ±×¸¸µÑ »ý°¢À̾ú´ø °Í °°´Ù. ³ª´Â ¸Å¿ì ÁöÃÄ ÀÖ¾ú°í, »óȲÀÌ ¾î¶»°Ô µ¹¾Æ°¡´ÂÁö ±×°ÍÀº ¸Å¿ì Áö°Ü¿î »óȲÀ̾ú´Ù. ±×·¯³ª '±¸¸£´Â µ¹Ã³·³(Like a Rolling Stone)'Àº ¸ðµç °ÍÀ» ¹Ù²î¾ú´Ù. ³ª ÀÚ½ÅÀÌ Æij¾ ¼ö ÀÖ´Â ¹«¾ð°¡¸¦ ÀǹÌÇß´Ù.¡±
 
µô·±Àº ¸óÆ®¸®¿Ã CBC ¶óµð¿À¿ÍÀÇ ÀÎÅͺ信¼­ ÀÌ °îÀÇ Ã¢ÀÛÀ» "breakthrough(µ¹Æı¸)"¶ó°í ĪÇϸç, ÀÌ °îÀÌ ÀÚ½ÅÀÇ °æ·Â¿¡ ´ëÇÑ ÀνÄÀ» ¹Ù²Ù¾î ³õ¾Ò´Ù°í ¼³¸íÇß´Ù. ±×´Â ÀÚ½ÅÀÌ "ÀÌ ±ä Åä»ç¹° Á¶°¢(this long piece of vomit), 20ÂÊ Â¥¸®, ±×¸®°í ±× Áß¿¡¼­ ³ª´Â 'Like a Rolling Stone'À» °¡Á®´Ù°¡ ½Ì±Û·Î ¸¸µé¾ú´Ù"°í ¸»Çß´Ù.

¡°Àü¿¡´Â ±×·± ±ÛÀ» ½áº» ÀûÀÌ ¾ø¾ú´Âµ¥ °©Àڱ⠳»°¡ ÇØ¾ß ÇÒ ÀÏÀÌ ¶°¿Ã¶ú´Ù. (I'd never written anything like that before and it suddenly came to me that was what I should do ...)¡±
 
±× ³ë·¡´Â ±æ°Ô ´Ã¾î¶ß¸° ½Ã±¸·ÎºÎÅÍ ÀÚ¶ó³µ´Ù.
 
Once upon a time you dressed so fine
¿¾³¯¿¡ ³Í ¸ÚÁö°Ô Â÷·ÁÀÔ°í´Â
You threw the bums a dime in your prime, didn't you?
Àü¼º±â¸¦ Áñ±â¸ç °ÅÁö¿¡°Ô µ¿ÀüÀ» ´øÁ®Áá¾úÁö, ¾È ±×·¡?
People'd call, say,"Beware doll,you're bound to fall"
»ç¶÷µéÀº ³Î ºÒ·¯ ¸»ÇßÁö "Á¶½ÉÇØ ¾ê¾ß, ±×·¯´Ù °ð Ã߶ôÇÑ´Ù"
You thought they were all kiddin' you
³Í ´Ùµé ³ó´ãÇÏ´Â ÁÙ ¾Ë¾Ò°ÚÁö
You used to laugh about
³Í ºóµÕ°Å¸®´Â
Everybody that was hangin' out
Àΰ£µéÀ» ºñ¿ô°ï Çß¾úÁö
Now, you don't talk so loud, now, you don't seem so proud
ÇÏÁö¸¸ ÀÌÁ¦ ³Í Å«¼Ò¸®µµ ¸ø³»°ÚÁö, ÀÌÁ¦ ³Í ³¢´Ï¸¦
About havin' to be scrounging around for your next meal
±¸°ÉÇØ¾ß Çϴ óÁö°¡ ºÎ²ô·´°ÚÁö
How does it feel, how does it feel?
±âºÐÀÌ ¾î¶»´Ï, ±âºÐÀÌ ¾î¶§?
To be without a home
Áý ¾øÀÌ »ç´Â °Í
With no direction home, like a complete unknown
ÁýÀ¸·Î °¡´Â ¹æÇâµµ ÀÒÀº ä, ¿ÏÀüÈ÷ ÀØÇôÁø ä·Î
Just like a rolling stone?
±¸¸£´Â µ¹Ã³·³ »ç´Â°Ô ¾î¶² ±âºÐÀÌ´Ï?
 
You've gone to the finest school all right, Miss Lonely
³Í ÃÖ°í ¸í¹®Çб³¿¡ ÁøÇÐÇß¾úÁö, ¿Ü·Î¿î ¿©ÀξÆ
But you know you only used to get juiced in it
ÇÏÁö¸¸ °Å±â¼­ ³Í Ç×»ó ¼ú¿¡ ÃëÇß¾úÁö
And nobody has ever taught you how to live on the street
¾Æ¹«µµ ³×°Ô °Å¸®ÀÇ »îÀ» °¡¸£ÃÄÁÖÁö ¾Ê¾Ò¾î
And now you find out you're gonna have to get used to it
Áö±ÝÀº ³×°¡ °Å¸®ÀÇ »î¿¡ ÀûÀÀÇØ¾ß ÇÏ´Â °É ¾Ë°ÔµÇÁö
You said you'd never compromise
³Í ¸ð¸£´Â ¶°µ¹ÀÌ¿Í´Â
With the mystery tramp, but know you realize
ŸÇùÇÏÁö ¾Ê°Ú´Ù°í ÇßÁö¸¸, ±× »ç¶÷ÀÌ
He's not selling any alibis
¾Ë¸®¹ÙÀÌ µûÀ© ÆÈÁö ¾Ê´Â´Ù´Â °É ¾Ë°ÔµÇÁö
As you stare into the vacuum of his eyes
³Í ±×ÀÇ °øÇãÇÑ ´«À» ¹Ù¶óº¸¸ç
And say do you want to make a deal?
"¿ì¸® °Å·¡ÇսôÙ"¶ó°í ¸»ÇÏÁö
How does it feel,how does it feel?
±âºÐÀÌ ¾î¶§, ±âºÐÀÌ ¾î¶§?
To be on your own
³²ÀÇ µµ¿ò¾øÀÌ
With no direction home, like a complete unknow
ÁýÀ¸·Î °¡´Â ¹æÇâµµ ÀÒÀºÃ¤, ¿ÏÀüÈ÷ ÀØÇôÁøä
Like a rolling stone?
±¸¸£´Â µ¹Ã³·³ »ç´Â°Ô ¾î¶² ±âºÐÀÌ´Ï?
 
You never turned around to see the frowns on the jugglers and the clowns
³Í ¹¦±â²Û°ú ±¤´ë°¡ °ø¿¬ÇÏ·¯ ¿ÔÀ»¶§
When they all come down and did tricks for you
µ¹¾Æ¼­¼­ ±×µéÀÇ Âô±×¸²À» º¸·ÁÇÏÁö ¾Ê¾ÒÁö
You never understood that it ain't no good
³Í ±×µéÀÇ »óȲÀÌ ¾È ÁÁ´Ù´Â °É ÀÌÇØÇÏÁö ¸øÇßÁö
You shouldn't let other people get your kicks for you
³Í ³²µéÀÌ ³Î ¿³¸ÔÀÌ´Â °É Çã¶ôÇؼ± ¾ÈµÇÁö
You used to ride on the chrome horse with your diplomat
³Í ¾î±ú¿¡ ¼¤°í¾çÀ̸¦ ¾ñÀº ¿Ü±³°ü°ú ÇÔ²²
Who carried on his shoulder a Siamese cat
¸ÚÁø ÀÚµ¿Â÷¸¦ ÅÀ¾úÁö
Ain't it hard when you discover that
³Í ±× ¿Ü±³°üÀÌ ¹°°ÇÀ» ÈÉÃÄ°£ ÈÄ
He really wasn't where it's at
µµ¸Á°¡°í ¾ø´Ù´Â °É
After he took from you everything he could steal.
¹ß°ßÇÏ°í´Â ±«·Î¿ïÅ×Áö
How does it feel, how does it feel?
±âºÐÀÌ ¾î¶§, ±âºÐÀÌ ¾î¶§?
To be on your own
³²ÀÇ µµ¿ò¾øÀÌ
With no direction home, like a complete unknown
ÁýÀ¸·Î °¡´Â ¹æÇâµµ ÀÒÀºÃ¤, ¿ÏÀüÈ÷ ÀØÇôÁøä
Like a rolling stone ?
±¸¸£´Â µ¹Ã³·³ »ç´Â°Ô ¾î¶² ±âºÐÀÌ´Ï?
 
Princess on the steeple and all the pretty people
÷žÀÇ °øÁÖ¿Í ¸ðµç ¾Æ¸§´Ù¿î À̵é
They're drinkin', thinkin' that they got it made
±×µéÀº ¼úÀ» ¸¶¼Å´ëÁö, ±×µéÀÌ ¼º°øÇß´Ù°í »ý°¢Çϸ鼭
Exchanging all precious gifts
°ªºñ½Ñ ¼±¹°À» ±³È¯Çϸ鼭
But you'd better take your diamond ring, you'd better pawn it babe
ÇÏÁö¸¸ ³Í ¾î¼­ ´ÙÀ̾Ƹóµå ¹ÝÁö¸¦ °¡Á®°¡¼­ Àü´çÆ÷¿¡ ¸Ã±â·Å
You used to be so amused
³Í ³Õ¸¶ÀÔÀº ³ªÆú·¹¿Ë°ú
At Napoleon in rags and the language that he used
±×ÀÇ ¾ð¾î¸¦ Á¢ÇÏ°ï Áñ°Å¿öÇß¾úÁö
Go to him now, he calls you, you can't refuse
Áö±Ý ±×¿¡°Ô·Î °¡, ±×°¡ ºÎ¸£ÀÝ´Ï, ³Í °ÅºÎÇÒ ¼ö ¾øÁö
When you got nothing, you got nothing to lose
³Í ¹«ÀÏǬÀÌÀݾÆ, ÀÒÀ» °Í Çϳª ¾øÀݾÆ
You're invisible now, you got no secrets to conceal.
³Í Åõ¸íÀΰ£À̾ß, ¼û±æ ºñ¹ÐÀ̶õ ¾ø¾î
How does it feel, how does it feel?
±âºÐÀÌ ¾î¶§, ±âºÐÀÌ ¾î¶§?
To be on your own
µµ¿ÍÁÙ »ç¶÷µµ ¾øÀÌ
With no direction home, like a complete unknown
ÁýÀ¸·Î °¡´Â ¹æÇâµµ ÀÒÀºÃ¤, ¿ÏÀüÈ÷ ÀØÇôÁøä·Î
Like a rolling stone ?
±¸¸£´Â µ¹Ã³·³ »ç´Â°Ô ¾î¶² ±âºÐÀÌ´Ï?
 
1. Like a Rolling Stone, Bob Dylan
 
2. Satisfaction, The Rolling Stones (Èï°Ü¿î ·ÎÅ«·Ñ. 1965³âߧ. ¹Ì±¹°ú ¿µ±¹ ¸ðµÎ¿¡¼­ Â÷Æ® 1À§. ¹Ì±¹ÀÇ ¿µ¸®ÁÖÀÇ, »ó¾÷ÁÖÀǸ¦ ºñÆÇÇÏ°í ÀÖ´Ù°í ÇÏÁö¸¸ °¡»ç¸¦ µÎ°í ³íÀïÀÌ ¹ú¾îÁ³´Ù.
¹Í Àç°Å´Â "¹Ì±¹ÀÇ ¾ç¸é, °¡Â¥¿Í ÁøÂ¥¸¦ º» °ÍÀÌ´Ù. °¡»ç¿¡ ³ª¿À´Â ³²ÀÚ´Â ½Å·Ú¸¦ ±¤°íÇÏÁö¸¸ »ç½Ç ±×·± °ÍÀº ã¾Æº¼ ¼ö ¾ø´Ù"°í ¸»Çß´Ù. ³ë·¡¸»Àº ÀÌ·¸´Ù.
 
º»¹®À̹ÌÁö
2. Satisfaction, The Rolling Stones
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
'cause I try and I try and I try and I try
³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇϴµ¥
I can't get no, I can't get no
¸¸Á·ÇÒ¼ö°¡, ¸¸Á·ÇÒ¼ö°¡
When I'm drivin' in my car
Â÷¸¦ Ÿ°í ¿îÀüÇÒ ¶§
And that man comes on the radio
±× ³²ÀÚ°¡ ¶óµð¿À·Î ³ªÅ¸³ª¼­´Â
He's tellin' me more and more
³»°Ô ´õ ¸¹Àº °É ¸»ÇÏÁö
About some useless information
¿ÂÅë ¾µ¸ð ¾ø´Â Á¤º¸µé »Ó
Supposed to fire my imagination
³» »ó»ó·Â¿¡ ºÒÀ» ºÙ¿©Áش볪 ¹¹·¡³ª
I can't get no, oh no no no
¸¸Á·ÇÒ ¼ö°¡, ¿À ÀüÇô ÀüÇô
Hey hey hey, that's what i say
ÇìÀÌ ÇìÀÌ ÇìÀÌ, ³­ ±×·¸°Ô ¸»ÇÏÁö
 
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
'cause I try and I try and I try and I try
³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇϴµ¥
I can't get no, i can't get no
¸¸Á·ÇÒ¼ö°¡, ¸¸Á·ÇÒ¼ö°¡
When i'm watchin' my tv
TV¸¦ º¸°í ÀÖÀ» ¶§
And that man comes on to tell me
±× ³²ÀÚ°¡ ³ª¿Í¼­´Â ¸»ÇÏÁö
How white my shirts can be
³» ¼ÅÃ÷¸¦ ¾ó¸¶³ª ÇϾé°Ô ÇÒ ¼ö ÀÖ´ÂÁö
But he can't be a man 'cause he doesn't smoke
ÇÏÁö¸¸ ³ª¶û ¶È°°Àº ´ã¹è¸¦ ÇÇÁöµµ ¾ÊÀ¸¸é¼­
The same cigarrettes as me
¾î¶»°Ô ÁøÂ¥ ³²ÀÚÀÏ ¼ö ÀÖ°Ú¾î
I can't get no, oh no no no
¸¸Á·ÇÒ ¼ö°¡, ¿À ÀüÇô ÀüÇô
Hey hey hey, that's what i say
ÇìÀÌ ÇìÀÌ ÇìÀÌ, ³­ ±×·¸°Ô ¸»ÇÏÁö
 
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
'cause I try and I try and I try and I try
³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇÏ°í ³ë·ÂÇϴµ¥
I can't get no, i can't get no
¸¸Á·ÇÒ¼ö°¡, ¸¸Á·ÇÒ¼ö°¡
When i'm ridin' round the world
¼¼»ó ¿©±âÀú±â¸¦ µ¹¾Æ´Ù´Ï°í
And i'm doin' this and i'm signing that
ÀÌ°É ÇÏ°í Àú°Å¿¡´Ù°¡ ½ÎÀÎÇÏ°í
And i'm tryin' to make some girl
³ªº¸°í '´ÙÀ½ ÁÖ¿¡ ¿ÀÁö ±×·¡'
Who tells me baby better come back later next week
¶ó°í ¸»À» ÇÏ´Â ¿©ÀÚ¸¦ ³» °ÍÀ¸·Î ¸¸µé·Á ÇÏÁö
'cause you see i'm on losing streak
º¸´Ù½ÃÇÇ ³ª´Â Áö´Â ÆíÀ̾ß
I can't get no, oh no no no
¸¸Á·ÇÒ ¼ö°¡, ¿À ÀüÇô ÀüÇô
Hey hey hey, that's what i say
ÇìÀÌ ÇìÀÌ ÇìÀÌ, ³­ ±×·¸°Ô ¸»ÇÏÁö
I can't get no, i can't get no
¸¸Á·ÇÒ ¼ö°¡, ¸¸Á·ÇÒ ¼ö°¡
 
I can't get no satisfaction
¸¸Á·°¨À» ¾òÀ» ¼ö°¡ ¾ø¾î
No satisfaction, no satisfaction, no satisfaction
¾òÀ» ¼ö°¡ ¾ø¾î, ¾òÀ» ¼ö°¡ ¾ø¾î, ¾òÀ» ¼ö°¡ ¾ø¾î)
 

º»¹®À̹ÌÁö
3. Imagine, John Lennon

3. Imagine, John Lennon
(
¿À³ë ¿äÄÚ´Â ÀÛ³â 11¿ù ¹Ì±¹ ½Ã»çÁÖ°£Áö <´º½ºÀ§Å©>¿Í ÀÎÅͺ並 °¡Á³´Ù. ±×³à´Â Á¸ ·¹³Í°ú °øµ¿ ÀÛ°îÀÚ·Î ÀÎÁ¤¹ÞÀº °î £¢Imagine£¢¿¡ ´ëÇØ ÀÌ·¸°Ô ¸»Çß´Ù.
¡°·¹³Í°ú ³ª´Â £¢Imagine£¢¿¡ ¿µÀû ¿¡³ÊÁö¸¦ ½ñ¾Æ ºÎ¾ú´Ù. ±× ³ë·¡´Â ¿À·¡µµ·Ï »ì¾Æ³²À» °Å¶ó°í »ý°¢Çß´Ù.¡±
Á¸ ·¹³ÍÀº ¿äÄÚÀÇ Ã¥ (1964³â)¿¡ ½Ç¸° ªÀº ½Ã(¡°Imagine the clouds dripping. Dig a hole in your garden to put them in¡±)¿¡ ¿µ°¨À» ¹Þ¾Æ £¢Imagine£¢¸¦ ÀÛ°îÇß´Ù°í ¹àÇû¾ú´Ù. 1971³â ÀÛ°îµÈ ÀÌ ³ë·¡ÀÇ ÀÛ°îÀÚ´Â ÀÌÁ¦ Á¸ ·¹³ÍÀÌ ¾Æ´Ï´Ù. 46³âÀÌ Áö³­ Áö³­ÇØ °ø½ÄÀûÀ¸·Î ·¹³Í°ú ¿äÄÚ µÎ »ç¶÷ÀÌ ¡®°øµ¿ ÀÛ°îÀÚ¡¯·Î ÀÎÁ¤¹Þ°Ô µÇ¾ú´Ù.
³ë·§¸»Àº ÀÌ·¸´Ù.
 
õ±¹ÀÌ ¾ø´Ù°í »ý°¢ÇغÁ¿ä
 Çغ¸¸é ±×·¸°Ô ¾î·ÆÁö ¾Ê¾Æ¿ä
 ¿ì¸® ¹Ø¿¡ Áö¿Áµµ ¾ø°í
 ¿ì¸® À§¿¡ Çϴø¸ ÀÖ´Ù°í
 ¸ðµç »ç¶÷µéÀÌ
 ¿À´Ã¸¸À» »ý°¢ÇÏ¸ç »ê´Ù°í »ý°¢ÇغÁ¿ä.
ÀÌ ¼¼»ó¿¡ ±¹°¡°¡ Çϳªµµ ¾ø´Ù°í »ý°¢ÇغÁ¿ä
 Çغ¸¸é ±×·¸°Ô ¾î·ÆÁö ¾Ê¾Æ¿ä
 Á×ÀÏ ÀÌÀ¯µµ Á×ÀÏ ÇÊ¿äµµ ¾ø°í
 Á¾±³µµ ¾ø´Ù°í
 ¸ðµç »ç¶÷µéÀÌ
 ÆòÈ­·Ó°Ô »ê´Ù°í »ý°¢ÇغÁ¿ä.)
 
3. Imagine, John Lennon
 
º»¹®À̹ÌÁö
4. What's Going On, Marvin Gaye

4. What's Going On, Marvin Gaye (
ÆË ¿ª»ç¿¡ ¸¶ºó °ÔÀÌ(Marvin Gaye, 1939~1984)´Â ²À ±â¾ïÇØ¾ß ÇÒ Àι° Áß Çϳª´Ù. 44»ì¿¡ ÀÏÂï, ±×°Íµµ ¾Æ¹öÁö ¼Õ¿¡ »ìÇØµÈ ºñ±Ø ¶§¹®¸¸ÀÌ ¾Æ´Ï´Ù.
±×°¡ ÇÑ ¸»ÀÌ´Ù.
 
¡°´ç½ÅÀÌ ¾ó¸¶³ª ¸ÚÁøÁö, ¾î¶² °îÀ» µé¾î¾ß ÇÒÁö, ±×(±×³à)°¡ ¾ó¸¶³ª ±²ÀåÇÑÁö¸¦ ³²¿¡°Ô ¹¯Áö ¸»¶ó!¡±
 
º¸ÄÃ, ±×ÀÇ ³ë·¡°¡ °¡²û µè´ÂÀÌÀÇ ¸¶À½À» Èçµç´Ù. Àý±ÔÇϰųª '³» ³ë·¡¸¦ µé¾î´Þ¶ó'´Â ½ÄÀÇ À¹¹ÚÁö¸£´Â ¹ß¼ºÀÌ ¾Æ´Ï´Ù. ±×³É ÀÚÀ¯·Ó°Ô, Áú¸®Áö ¾Ê°Ô »ç¶÷ÀÇ ±Í¸¦ ²ø°Ô ÇÏ´Â ¹«¾ð°¡°¡ ÀÖ´Ù.

²¿Áý¾î ¹¹¶ó°í Ç¥ÇöÇÒ ¼ö ¾øÁö¸¸, ÀڽŸ¸ÀÇ °³¼º ÀÖ´Â °¨¼ºÀû Ç¥Çö¼ö´ÜÀÌ ¸ñ¼Ò¸®¿¡ ´ã°Ü ÀÖ´Ù. °¡½¿ ¼Ó¿¡ µç ¹«ÇüÀÇ Áú°¨µéÀ» ²öÀû²öÀûÇÏ°Ô µé·ÁÁØ´Ù. ±×·²µíÇÏ°Ô Æ÷ÀåÇϰųª µÐÀç°¡ õÀçÀÎ ¾ç È£µé°©À» ¶³Áö ¾Ê´Â´Ù. ¿©±â¿¡´Â ÇѶ§ Ž´ÐÇß´ø ¸¶¾àÀÇ ±¸··ÅÖÀÌ¿¡¼­ ¹þ¾î³ª·Á´Â ¾È°£Èûµµ ´ã°Ü ÀÖ´Ù.
º»¹®À̹ÌÁö
5. Respect, Aretha Franklin
¡®What's Goning On¡¯Àº ±×·± °³¼ºÀÌ µå·¯³­ ³ë·¡´Ù. µè°í ÀÖÀ¸¸é ±âºÐÀÌ ÁÁ¾ÆÁö´Â ¾ÆÀÌ·¯´ÐÇÑ ³ë·¡´Ù. ³ë·§¸»Àº ³¯Ä«·ÓÁö¸¸, ¸ñ¼Ò¸®´Â ÀǵµÇÏÁö ¾Ê°Ô ´ÞÄÞ(?)ÇÏ´Ù. ±ºÁßÀÌ ¼­¼ºÀÌ´Â ¿õ¼º´ë´Â °ø°£¿¡¼­ ³°Àº ÇìµåÆùÀ» ³¢°í È¥À㸻À» ÇÏ´Â µíÇÏ´Ù.)
 
5. Respect, Aretha Franklin (¿ø·¡ °îÀº Otis ReddingÀÌ 1965³â¿¡ ºÒ·¶´Ù. 2³â µÚ ¾Æ·¹»ç°¡ ´Ù½Ã ºÒ·¶°í ÀÌÈÄ ÀÌ °îÀº ±×³àÀÇ ¡®½Ã±×´Ïó °î¡¯ÀÌ µÇ¾ú´Ù. ÆË Æò·Ð°¡µéÀº "¿ÀƼ½ºÀÇ °îÀ» ºÒ²É °°Àº ¹öÀüÀ¸·Î ½ÂÈ­½ºÄ×´Ù"°í ÆòÇß´Ù. 1968³â ±×·¡¹Ì»ó¿¡¼­ 'º£½ºÆ® ¿©¼º R&B º¸Äà ÆÛÆ÷¸Õ½º' ºÎ¹® ÃÖÃÊ ¼ö»óÀÚ°¡ µÇ¾ú´Ù.
 
 
 
5. Respect, Aretha Franklin

ÀÔ·Â : 2019.10.29

Copyright ¨Ï Á¶¼±´º½ºÇÁ·¹½º - ¿ù°£Á¶¼±. ¹«´ÜÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö
NewsRoom Àαâ±â»ç
Magazine Àαâ±â»ç
»çÁø

±èÅÂ¿Ï ¡®Stand Up Daddy¡¯

kimchi@chosun.com
´ñ±Û´Þ±â 0°Ç
´ñ±Û´Þ±â´Â ·Î±×ÀÎ ÇϽŠÈÄ ³²±â½Ç ¼ö ÀÖ½À´Ï´Ù.
  • µî·ÏµÈ ´ñ±ÛÀÌ ¾ø½À´Ï´Ù.
³»°¡ º» ´º½º ¸Ç À§·Î

³»°¡ º» ´º½º ´Ý±â

-